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・ Tommy Lumley
・ Tommy Lumsden
・ Tommy Lunn
・ Tommy Luther
・ Tommy Lycén
・ Tommy Lynch
・ Tommy Lynch (footballer)
・ Tommy Lynn Sells
・ Tommy Lyons
・ Tommy Lyons (American football)
・ Tommy Lyttle
・ Tommy Løvenkrands
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・ Tommy Jarrell
・ Tommy Jaszczun
Tommy Jaud
・ Tommy Jenkins
・ Tommy Jenkins (Australian footballer)
・ Tommy Jessop
・ Tommy Jeter
・ Tommy Joe Coffey
・ Tommy Joe Eagles
・ Tommy Joe Gilmore
・ Tommy Joe Martins
・ Tommy John
・ Tommy John surgery
・ Tommy Johnagin
・ Tommy Johns
・ Tommy Johnson (actor)
・ Tommy Johnson (footballer, born 1900)


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Tommy Jaud : ウィキペディア英語版
Tommy Jaud

Tommy Jaud (born 16 July 1970, in Schweinfurt) is a German author, scriptwriter, and freelance author for many television productions.
==Life==
After completing his Abitur, Jaud served his compulsory civil service in a kindergarten. He went on to study German Studies at the University of Bamberg. During his time as a student, Jaud presented a radio show for [Antenne Thüringen and worked on a freelance basis for the Harald Schmidt Show, a German television programme. He later abandoned his studies and headed for Cologne where he worked on various television productions. He was creative producer of the comedy series ''Ladykracher'' and head writer for Sat.1's ''Die Wochenshow''. He also wrote for the ''[Liebesleben'' series.
Jaud's published works, in German ''Vollidiot'', ''Resturlaub'' and ''Millionär'', have been recorded as audio books by Christoph Maria Herbst, and ''Vollidiot'' has been made into a film with comedian Oliver Pocher playing the main role of Simon Peters. The film also features Ellenie Salvo González, Oliver Fleischer and Anke Engelke, and was directed by Tobi Baumann, whilst the script was written by Jaud himself. He already had experience of working with Engelke and Baumann after they teamed up to write ''Ladykracher'' a few years previously.
The author describes his works as "readable television". He came up with this idea as, prior to being an author, he had worked on television scripts.
The German magazine ''Der Spiegel'' has championed Jaud's books as the rebirth of a stagnant genre, namely that of the German men's novel.

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